Jots and Motes

 

From last night’s little text messaging bout between my young daughter and myself:

                    Me
Me encanta la pequeña rana en el oido.

                    Hana
You sing a little frog in my ear?

                    Me
Sirenas cantar, pero no mientras Dios susurra.

                    Hana
And how would the sirens know
if God whispered,
aside from being alive?
The sea rolling on itself
every day, striking the rock’s face
and somewhere else drowning a good sun?
We doubt the words were spoken.
But where bees’ wings are pinned to the sky
we can see the words sewn into their hem.*

                    Me
I have been one-upped by the best. Nice poem.

                    Hana
Being alive should be living.

                    Me
Dolphins laugh and leap and love the
fate of lovers’ lives who slip the nets.

                    Hana
Love the end.

                    Me
Thanks.
Yes, being alive should be living. Our birth
is gone forever. We can only guess about our
death. Life is all that’s left. Always here, it’s the
only thing we can touch. And we can’t touch the
lives of others if we can’t learn to touch our own.
I touched you at birth. I’ll love you forever.

Writing like this–extemporaneous, undirected–is to writers as Polaroid film used to be to photographers. I’ve spent thirty years carefully calculating shutter clicks and conforming shapes and tones to my mind’s eye. Sometimes, though, my mind seemed to have no eye. Paralysis by analysis, I call it. It describes a total lack of progress despite possession of knowledge, skills, tools, and resources for conquering the world. Sometimes when that happened, I’d grab my old Polaroid camera and head out the door, leaving all calculations and expectations behind.
I’m often struck by paralysis when I need to write. But instead of rummaging through my closet for the Polaroid, I pull my phone from my pocket and tap out a message to someone. No rules. No planning. No expectations. If I catch my daughter in a writing mood, I get back twice what I give.


May 24, 2013


* by Hana Kurahara Sisk

 

Silence of iambs

(Prerecorded)

Tonight my mind is trapped in a sound-proof room,
thought-proof also, even golf-proof.
Golf-proof: not to be driven from my mind
(requiring a putt at best).
Sound-proof, except for the tinnitus:
the two discordant notes ignorant of sound-proofing,
immune to atom bombs and rock and roll,
disrespectful of rest, faithless to comas,
resistant to poetry, and persistent to death
(though I hope not).
Thought-proof: now, certainly.

 

Jan. 27, 2013

 

How We Start, Again

I was born, which happens to every animal.  But I was born human.  And what separates us humans from other animals is that we watch the winter bearing down upon us, and then stop to make a note of it.  Some well-provisioned Paleolithic clan, finding themselves with full stomachs and spare time, accepted the imperative to make a note of their precarious life.  They left us the fourteen thousand-year-old paintings in the caves of Lascaux, France.  We’ve been climbing and falling from precipices, and painting and writing about the pain and joy of it, ever since that pre-historic time.

We humans have a unique capacity to feel shockingly lucky to have materialized when we have, inside a human mother’s womb.  What a lucky time and place.  How beautiful we all are.  How God-full are our sunrises.  Yet nearby to each of us are the suffering souls of uncountable humans and other animals, having materialized when they did, inside less lucky wombs.  How God-awful are all those sunsets.  And how grateful the rest of us should feel.  Somehow, though, we find ways to squander our luck.  We fail to accept that our lives are not nearly as complicated as our excuses for not living.

Until recently, I did not appreciate fully my favorite lines from T. S. Elliot’s poem, The Love Song of J. Alfred Prufrock: “I should have been a pair of ragged claws / Scuttling across the floors of silent seas”.  I’ve always understood the old man’s maudlin complaint as an insincerely constructed lament—a whine-fest with only himself on the guest list.  Now, I have a better idea of what this old man’s blameful situation might mean to us as we age and begin to worry about our misconceptions of life and death.  The issue is not as simple as a mid-life crisis that might be resolved by a new mate and a fast motorcycle.  You might not hear “mermaids singing each to each”.  You might not know what this is, or who is responsible, or where to go next.  But if you sit still and cover yourself in ashes and moan loudly, you’ll incur nobody’s pity but your own.  Then the distain of all who were born in much less lucky wombs will be justified.  Self-pity is like heroin.  It will lull you to sleep while the roads of other lives are laid across your soul.

A man who thinks he knows his thoughts is standing next to a man who knows his own thoughts better.  And neither man may know his own thoughts well enough.  Writing is re-writing.  Re-writing is thinking.  Vision and revision mean coming to grips with what we understand, and what we have misunderstood.  To write, and to re-write, is the opportunity to recover after stumbling.  You learn a little as you fall; you learn much more as you pull yourself back up.  Just as importantly: you may loose your pride on the way down, but you gain your dignity on the way up.


Oct. 16, 2010