Deviant Art

I sometimes wonder if creative thought isn’t just the anarchism of our synapses; and, by nurture or nature, works of art are the ad hoc quelling of neural insurrections. In that sense, art could be seen as the product of personal fascist juntas which we allow to beat  insurgent imaginations into the warp and weft of canvas, or regiment emotions into marks at risk of universal misunderstanding, or decode dissonance tight to a staff, or toss bodies gently in the wake of a whale’s dancing tail. They then leave us adrift: supine in a short, bright, cold silence, which we adore but know will kill us if we linger. Perhaps, to sleep, we shoot these little dictators, and raise new insurrections in our dreams.

Oct. 25, 2012

Control Issues

This has been a day of weirdness.
It began after lunch with finding an unopened bottle of SmartWater next to a drinking fountain at a doctor’s office. By itself, that’s a minor non sequitur. Something I could chuckle at and report on Facebook. Then, late in the afternoon, while on my way to a downtown appointment, I found myself behind a late-model car being driven by a man who was behaving even more weirdly than other Seattle drivers.
The elderly fellow was rolling slowly along in the second lane of northbound 99 on the Viaduct. I’m pretty sure he was hoping to change to the right lane, which becomes the only exit from 99 into downtown Seattle. However, every time he started to move to the right his windshield wipers switched on, leading to his jerking the car back into the second lane. Each time he returned to the second lane his windshield wipers switched off. After several aborted attempts, he ran out of room to make the lane change, so he continued north. He had not once used his turn signal. It was not raining.
I’d like to find this hilarious. I can’t because I realize how difficult it is for me to remember which dials on my stove control which burners and what the login password is on my computer. I’m not old, though that shouldn’t make a difference. I’m intelligent. I pay attention. Nonetheless, some things just don’t stick in my memory. My father was the same. The only way he could find his little brown car in a parking lot was to try his key in the doors of one car after another until he found a door that opened. But he wasn’t weird. Neither am I. I’m not that man who can’t figure out his turn signal lever.
Please let me laugh. I really want to laugh. What would Jesus do? What would John Stewart do?

Oct. 23, 2012

In Memory of a Rat

As my daughter Hana was getting ready for bed this evening, she checked on her elderly pet rat, Chew.  She found Chew had died–earlier in the evening we presume.  She was very old.  We made a proper fuss over her before wrapping her up for temporary storage in the freezer.  We’ll bury her this weekend.
Yes, she’s a rat.  Smaller than a cat and larger than a cricket.  Taxonomy seems to recapitulate psychology, in the sense that the degrees of human psychology we confer upon other creatures often relates directly to certain warm and fuzzy details of their taxonomy, as well as to how close to our dinner tables they rest without us eating them.  I say, in for an ounce, in for a pound.  It might be only make-believe, but it’s also part of how we learn to deal with other lives.
Yes, its a game.  And if you can’t play this game with your pet, how should I trust you’ll play it with me?

 

Sept. 26, 2012

 

Sleeping Moon

rush rush run
howl the wind
the moon the mooon
howl the wolves
the wolf the wooolf
howl the moon
but you dont hear
her casting song
what with your deceiving ears
casting her hook
at twinkling eyes
fishing for the sun
for her the stars put on a guise.
I am the sun I am the sun!
Foolish moon
moon mooon!
Rush rush run
the sun he runs too soon
he twirls his curls down to the
wolves and warms the wind
and the stars all wallow
in their shame
so do the wolves and wind
and other things,
the moon and sun are of the same.

Hana Kurahara Sisk
Sept. 2012

Hana is my young daughter, though her age belies the truth about her old soul.  We both enjoy writing and often send extemporaneous poetry to each other via text messaging.  For both of us it’s a way of avoiding the mundane: homework, chores, paying bills.
There is a notable difference between her poetry and mine.  I put a great deal of effort into my poetry; for the same results, she writes with ease.  Though she reads my poetry and feels free to comment and ask questions, I never worry about her emulating me.  She already has a voice that goes with that old soul.

Sept. 23, 2012

The Killing Feels

Humans aren’t the only animals who kill each other for individual or collective gain. So, in a sense, us killing each other is natural. What perhaps aren’t so natural are our rationales for killing each other and the distances we kill each other from. Could we lay out a history of these rationalities and distances to describe a scale of human devolution? When we had only our bare hands to wring the necks of folks who offended or threatened us, we likely were more thoughtful of the personal and social consequences. Was this more naturally good? After all, it’s not easy to wring someone’s neck effectively—or to get away with it in simple tribal societies.
Among collectives of humans there have always been conflicts; and therefore, there has always been a need to resolve them quickly and efficiently so we can get back to our routine struggles. If an antelope and a jar of millet won’t make up for what’s lost, taking a life is the next simplest solution, as long as it is sanctioned. And who better to kill some poor bastard than someone who spends his hot days running down antelope to feed the family back home.
For reasons we can start arguments about, male humans ended up in charge of running down and killing things. Perhaps this made sense early on. The tools of the trade have always been somewhat awkward and heavy. Maybe if women had designed them this wouldn’t be so. In any case, men are usually in charge of war plans and armories.
Over the millennia, our technical capacity to kill has held hands with our emotional capacity to kill. As we get better at it, we seem to feel better about it. The farther away we can do it from, the better we feel about it. I think this is one scale of human devolution. The more efficiently we can kill, the more emotionally removed we are from killing. On those occasions when we do kill closely and personally, it is all the more horrifying. Being killed by a sniper bullet while loading groceries into your car is pretty bad. Being robbed at gunpoint and then shot in the chest is awful. Having a madman attack you with a knife inside your home is unimaginably horrible. So, to be moral, we kill from a distance whenever possible. We kill with robots.
A spear is a robot: an old-fashioned, simple-minded, obedient, deadly robot. Or maybe it’s the spear’s thrower who is deadly. It’s hard to tell. It doesn’t really matter; the spear is issued a simple command, and if programmed correctly, it ends up effectively situated in the abdomen of an opposing animal—perhaps a human animal. It’s the same with arrows, bullets, cannon balls, and bombs. They are all robots, and they all give us a weird kind of standoff-ish grace. And unlike the modern electromechanical contraptions that we formally confer as robots, these old-fashioned instruments don’t need to be coded with the Three Laws of Robotics to prevent them from changing their minds and killing the same humans who launched them.
Sometime in the late nineteenth century we learned we were able to manufacture and deploy these simple robots with amazing efficiency and effectiveness. This was so to such an extent that it became important to attack not just the soldiers who were aiming their simple robots at us, but also the manufacturers and delivery systems of their robots. We learned to kill opposing soldiers face-to-face only as a last resort. It is preferable to kill them before they arrive at the battlefield. It is very best to kill them while they’re sitting on the crapper. Also, it is good to bomb the opposing bomb factory before it can make bombs to bomb your own bomb factory. Ultimately, it is better to reduce a city to ashes than to have soldiers face each other on the field, bayonet to bayonet. Such personal confrontations just aren’t right. They are much too natural.
What we need is to not risk putting soldiers through any of this. What we need are no soldiers at all. The bullets should just fly back and forth across unmanned battlefields. Complicated robots should be given guns and ranks and ill-fitting boots and then sent to kill opposing robots. They could be given their own ammunition factories and their own robotic workers with their own robotic laws and their own Jiffy Lubes and robot department stores and metal churches with Tesla coil altars.
Because there would be so many robots, with their necessarily complicated infrastructures, we would install their societies on Mars and then instigate battles remotely with electronic insults sent through the sub-ether from Earth. We humans would walk around our planet with destructor buttons in our pockets that we would press whenever we felt offended by another human. Every time a destructor button would be pressed, some Martian robot would send some other Martian robot to Robot Hell.
And so it would go until one day some pissed-off Irishman finds an old bayonet in his grandfather’s footlocker and decides he has a much better way to settle an old score with the Italian across the street who stole his warp core. He’ll settle it the natural way.

Sept. 22, 2012

 

Gavin’s Glossary of Terms of Existence

I’ve started a glossary of terms relating to human existence. I’ll flesh it out as our existences go by. Quite a bit of this is stream of consciousness, so it isn’t in alphabetical order.

Birth:
A transpiring event you don’t recall and of which you imagine everything, including a god

Death:
An expiring event you won’t recall and of which you fear everything, including a god

Karma:
Feeling frustrated that, while sitting on one side of a balance scale, you can’t throw marshmallows onto the other side fast enough to raise youself from the tracks before the Evening Express comes through.

Grace:
In the Catholic sense–having invested in a marshmallow factory when you were young.

Luck:
The Evening Express being delayed by a landslide in a mountain pass. All the rail cars have been swept into a swollen river and everyone has died who wasn’t carrying a large bag of marshmallows.

Buddhist monk:
A kindly man in a saffron robe sitting under a nearby tree and telling you in a soothing tone, “Just wait”.

Franciscan monk:
A kindly man in a brown robe sitting under a nearby tree and telling you in a soothing tone, “God‘s will”.

Jesuit priest:
A kindly man in a snappy black suit sitting under a nearby tree and telling you in a not-so-soothing tone, ” Sucks, doesn’t it”.

Bishop:
A kindly man wearing a pointy hat sitting under a nearby tree and asking, “Would you like to buy some marshmallows?”

Satan:
A kindly man with pointy ears and a tan sitting under a nearby tree and asking, “Would you like to buy some marshmallows?”

Politician:
A friendly man wearing a blue and red suit sitting under a nearby tree and imploring, “Be afraid; be very afraid! May I have some of your marshmallows?”

Anthropologist:
A studious man looking at the wrapper of the Big Mac you had for lunch and wondering, “Does this mean he worshipped a god?”

Husband of premenopausal woman:
A clueless man living under a nearby rock exclaiming, “This is funny. Let’s roast marshmallows.”

Premenopausal woman:
A nervous woman sitting on the end of the weakest branch of a nearby tree screaming, “This is not funny! Wait–yes it is! God, it’s hot in here! This is not about marshmallows!”

Catholic nun:
A kindly woman sitting under a nearby tree and asking, “Do I really have to sit with these nits?”

Religion:
Praying for marshmallows to be bestowed upon you by the owner of a marshmallow factory and for a temporary reprieve from the chemistry of oxidation, while ignoring the ultimate effect on everyone in those rail cars.

Fate:
Watching the hooks on the balance scale slowly rust away.

Freedom:
Choosing to get off your ass to see what you can do for anyone in those rail cars who is still alive.

 

Sept. 2012

 

 

Busy Signals

A green traffic light means go.  A red traffic light means stop.  It’s the same here in Seattle as everywhere else–except in the turn-lanes.
In Seattle a green turn-arrow means put your coffee cup down, adjust your mirror, check what the car behind you is doing, check the GPS to make certain you should be turning at this intersection, check what the car in front of you is doing, note the price of gasoline at the station across the street, SQUIRREL!, put your lipstick or electric razor down (or both), note that the car in front of you has cleared the intersection and is half-way down the next block, signal your intention to execute a turn, put your car in gear, check what the dog at the hydrant is doing, note that the turn arrow has changed from green to amber to red, slowly depress the accelerator pedal and proceed carefully through the intersection while disregarding the honking horns and angry curses.  So it will go, whether you are the first or tenth car in line.
In the through lanes, on the other hand, you will smash the accelerator pedal to the floor the instant the light turns green, race through the intersection, and blow your horn and curse at all the slow drivers in the turn-lane.
In short, if you live in Seattle, you will exhibit both behaviors and you will think nothing of the difference.

 

Aug. 24, 2012

Parts is Parts

I do a lot of work as a bio-medical photographer, which is a sub-specialty of my general work as an industrial photographer for a large university and medical center. One of my duties is to photograph body parts (as well as body ‘wholes’).
Photographing a body part is easiest when the part is uncovered. This ensures the photographs will be useful to the doctor who ordered the photography. The more parts of a body there are to photograph, the more the body needs to be uncovered.
The most practical way to photograph many different body parts on one body (with live bodies, anyway) is to have the parts’ owner remove all of his or her clothing. So, imagine me standing in a locked exam room while holding a camera that’s wired to bright photographic strobe lights, and while wearing substantially more clothing than the only other person in the room. I see things.
Here are some interesting facts and observations relating to photographing naked people for medical purposes:

1. They don’t pay me well enough. I earn a hell of a lot more when photographing mannequins for Nordstrom.
2. Male patients do not at all like being photographed by a male photographer–which makes me wonder if homophobia is a hardwired gender instinct.
3. Female patients usually don’t care who photographs their parts–or which parts are photographed–as long as the work is done right. Female patients shake my hand and thank me; male patients retreat quickly to their dressing room.
4. All–ALL–distinguishing details of a patient’s body mysteriously disappear from my memory thirty seconds after I take their last photo. Really! I’ve run into female patients in the clinic lobby ten minutes after I’ve escorted them back to their dressing room, and I have not recognized them, even after they have said hello. (This does beg the question, why do they say hello to me in the clinic lobby?)
5. When I process and print the photos back at my office, I almost never recognize any of the patients.

Weird, huh? But when I compare notes with other male medical photographers and radiographers–even the good looking single males–they all report the same experiences. Nobody remembers anything.
So, there you go. Men really do have something on their minds besides sex. At least, some of the time they do.

July 7, 2012

Time and Time Again

When you look back on your life, do you wonder if you were different persons during successive life passages?  While recalling your addled adolescence, can you recite your name without feeling surprised at how ill fitted it is to your history?  Are sepia-toned memories all you keep of learning to ride a bike, understanding fractions, arguments with your parents, your first kiss?  Does your present feel as far removed from your past as it once was from your future?  Have you left behind a light, immortal avatar of yourself perched on a thin branch at the top of a tall tree? 

 
       Then

days i breathed from the treetop
                                    swinging deaf to gravity and
                                  singing slights to minor keys
                        i cared not what i couldn’t do
           and didn’t know how to stop.

                                               
                                               June 2012

 
 

Bodhisattvas and the Art of Seeming Sane

Holy Order

Anthropologist: a man
smelling another man’s hands.
Poet: a man
smelling his own hands.
Philosopher: a man
smelling with his hands.
God: among us
smelling our hands?

It occurs to me that artistic endeavors may relate to autistic endeavors—perhaps very closely.  Our leaps beyond linear logic—to what we usually call creative thinking—are anomalous and counter-evolutionary coping behaviors when they don’t relate directly to survival and procreation.  We generally consider our ability to leap great mental distances to be evolutionary; but where and why we leap is often less so.  By definition, creativity is an unbalancing activity.  It gains validation through its defiance of social organization.  At the same time, subtleties of social organization are dissected and illuminated through this defiance.
The defiant mindsets of creative people count as psychological outliers representing the extreme estrangement of intellect from instinct, and thus are difficult for us to qualify.  Creatives aren’t really part of our societies, but they do know our societies.  They are rocks jutting from fast rivers: they may exist outside of mainstream society, but society’s feet must leap from one rock to another to cross the river safely.  A cynic would snark that our species began to devolve the day we first imagined living on the other side of the river.  Nonetheless, it’s there.  So are the rocks—our rocks.  Also, there is the history of genetics that designed our eyes—eyes which watch those rocks.
The really good rocks are marked and adored according to public consensus.  When we can’t account for our responses to the beautiful chaos of cracks and textures in these rocks, we call them genius and declare them God-given.  When our astonishment at a rock’s qualities rises above a certain level, we worship it as a prophet or god.  If we have a negative response, and others don’t convince us that a rock has value, we say it is damned.  Thus, the distinction between a genius and a savant is thin and flexible.
When we can’t reach a consensus on which rocks form a good path, as well as what each rock means to us, we hire experts, such as culture critics, philosophers, and scientists.  The most relevant science for this task is anthropology.  But anthropologists, like culture critics (especially art critics), have a weakness: they might accurately describe the wet footprints on the rocks, but not the rocks themselves.  So, in as much as rocks seldom talk to feet, creatives seldom make sense to normal, linear minds.  It may even be true that creatives seldom make sense to each other, though they would instinctively disagree.  They would also disagree that creativity is an apologia for evolution—a rock is a rock and is divorced from any prima facie claims.
There are a few great minds that seem to have succeeded in penetrating these rocks beyond their footprints.  We celebrate them as bodhisattvas returning from deep journeys into the unknown.  They offer substance beyond what otherwise seems a thin, impenetrable shell.  Their selfless sojourns bring hope of purpose to our linear lives.  But a revisionist glimpse at these great minds might reveal we misunderstand where their journeys actually began.  Consider en Hedu’Anna*, Themistoclea, Socrates, Plato, Archimedes, Homer, Sappho, Hypatia, Laozi, Confucius, Siddhartha Gautama, Jesus, Mohamed, Galileo, Michelangelo, Li-Po, Cervantes, Kant, Einstein, Simone de Beauvoir, and Stephen Hawking: all great diggers of truth—all rock hounds.  Never the less, considering the tilted biographies of these great minds, we have to wonder in the end if they all are rocks, and not hounds.
When we send a thief to catch a thief, we understand the risk of our investment and can calculate its return (if he returns).  But if we’ve been mistakenly sending creatives to catch creatives, they’ll force us to call good whatever puzzling paellas of realities they bring back.  Also, if our own spies are double agents, should we guess that creatives send spies to figure out who we really are?  Well, of course they do—of course we do.

*Of the uncommon names in this list, I will tell you nothing except that they belong here.  Look them up.

My thanks to Jo Ann Teter for activating this sleeper cell by asking a question I couldn’t answer on Facebook.

June 14, 2012