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About Gavin W Sisk

I am a photographer, artist, writer, tinkerer, baker, dad, and much more. I enjoy measuring things, and I’m easily distracted. When I should be in the garden pulling weeds, I might slip away to my little shop where I’ll clean my calipers and wonder how to use a frequency counter to write a poem. I can name a few of the things that make me smile. Otherwise, I don't recall what truly is my favorite movie, book, or scotch. I also don’t remember which charms lead me to fall in love. These things may all be forgotten, but they are not lost. I know and enjoy them when they visit. I appreciate that life isn’t fair, though I don’t enjoy it. It seems especially unfair that we should have to work so hard for so long, and risk so much, before we can come to accept this fact. I blame it all on opposable thumbs and our ability to measure things.

Sleeping Moon

rush rush run
howl the wind
the moon the mooon
howl the wolves
the wolf the wooolf
howl the moon
but you dont hear
her casting song
what with your deceiving ears
casting her hook
at twinkling eyes
fishing for the sun
for her the stars put on a guise.
I am the sun I am the sun!
Foolish moon
moon mooon!
Rush rush run
the sun he runs too soon
he twirls his curls down to the
wolves and warms the wind
and the stars all wallow
in their shame
so do the wolves and wind
and other things,
the moon and sun are of the same.

Hana Kurahara Sisk
Sept. 2012

Hana is my young daughter, though her age belies the truth about her old soul.  We both enjoy writing and often send extemporaneous poetry to each other via text messaging.  For both of us it’s a way of avoiding the mundane: homework, chores, paying bills.
There is a notable difference between her poetry and mine.  I put a great deal of effort into my poetry; for the same results, she writes with ease.  Though she reads my poetry and feels free to comment and ask questions, I never worry about her emulating me.  She already has a voice that goes with that old soul.

Sept. 23, 2012

The Killing Feels

Humans aren’t the only animals who kill each other for individual or collective gain. So, in a sense, us killing each other is natural. What perhaps aren’t so natural are our rationales for killing each other and the distances we kill each other from. Could we lay out a history of these rationalities and distances to describe a scale of human devolution? When we had only our bare hands to wring the necks of folks who offended or threatened us, we likely were more thoughtful of the personal and social consequences. Was this more naturally good? After all, it’s not easy to wring someone’s neck effectively—or to get away with it in simple tribal societies.
Among collectives of humans there have always been conflicts; and therefore, there has always been a need to resolve them quickly and efficiently so we can get back to our routine struggles. If an antelope and a jar of millet won’t make up for what’s lost, taking a life is the next simplest solution, as long as it is sanctioned. And who better to kill some poor bastard than someone who spends his hot days running down antelope to feed the family back home.
For reasons we can start arguments about, male humans ended up in charge of running down and killing things. Perhaps this made sense early on. The tools of the trade have always been somewhat awkward and heavy. Maybe if women had designed them this wouldn’t be so. In any case, men are usually in charge of war plans and armories.
Over the millennia, our technical capacity to kill has held hands with our emotional capacity to kill. As we get better at it, we seem to feel better about it. The farther away we can do it from, the better we feel about it. I think this is one scale of human devolution. The more efficiently we can kill, the more emotionally removed we are from killing. On those occasions when we do kill closely and personally, it is all the more horrifying. Being killed by a sniper bullet while loading groceries into your car is pretty bad. Being robbed at gunpoint and then shot in the chest is awful. Having a madman attack you with a knife inside your home is unimaginably horrible. So, to be moral, we kill from a distance whenever possible. We kill with robots.
A spear is a robot: an old-fashioned, simple-minded, obedient, deadly robot. Or maybe it’s the spear’s thrower who is deadly. It’s hard to tell. It doesn’t really matter; the spear is issued a simple command, and if programmed correctly, it ends up effectively situated in the abdomen of an opposing animal—perhaps a human animal. It’s the same with arrows, bullets, cannon balls, and bombs. They are all robots, and they all give us a weird kind of standoff-ish grace. And unlike the modern electromechanical contraptions that we formally confer as robots, these old-fashioned instruments don’t need to be coded with the Three Laws of Robotics to prevent them from changing their minds and killing the same humans who launched them.
Sometime in the late nineteenth century we learned we were able to manufacture and deploy these simple robots with amazing efficiency and effectiveness. This was so to such an extent that it became important to attack not just the soldiers who were aiming their simple robots at us, but also the manufacturers and delivery systems of their robots. We learned to kill opposing soldiers face-to-face only as a last resort. It is preferable to kill them before they arrive at the battlefield. It is very best to kill them while they’re sitting on the crapper. Also, it is good to bomb the opposing bomb factory before it can make bombs to bomb your own bomb factory. Ultimately, it is better to reduce a city to ashes than to have soldiers face each other on the field, bayonet to bayonet. Such personal confrontations just aren’t right. They are much too natural.
What we need is to not risk putting soldiers through any of this. What we need are no soldiers at all. The bullets should just fly back and forth across unmanned battlefields. Complicated robots should be given guns and ranks and ill-fitting boots and then sent to kill opposing robots. They could be given their own ammunition factories and their own robotic workers with their own robotic laws and their own Jiffy Lubes and robot department stores and metal churches with Tesla coil altars.
Because there would be so many robots, with their necessarily complicated infrastructures, we would install their societies on Mars and then instigate battles remotely with electronic insults sent through the sub-ether from Earth. We humans would walk around our planet with destructor buttons in our pockets that we would press whenever we felt offended by another human. Every time a destructor button would be pressed, some Martian robot would send some other Martian robot to Robot Hell.
And so it would go until one day some pissed-off Irishman finds an old bayonet in his grandfather’s footlocker and decides he has a much better way to settle an old score with the Italian across the street who stole his warp core. He’ll settle it the natural way.

Sept. 22, 2012

 

Gavin’s Glossary of Terms of Existence

I’ve started a glossary of terms relating to human existence. I’ll flesh it out as our existences go by. Quite a bit of this is stream of consciousness, so it isn’t in alphabetical order.

Birth:
A transpiring event you don’t recall and of which you imagine everything, including a god

Death:
An expiring event you won’t recall and of which you fear everything, including a god

Karma:
Feeling frustrated that, while sitting on one side of a balance scale, you can’t throw marshmallows onto the other side fast enough to raise youself from the tracks before the Evening Express comes through.

Grace:
In the Catholic sense–having invested in a marshmallow factory when you were young.

Luck:
The Evening Express being delayed by a landslide in a mountain pass. All the rail cars have been swept into a swollen river and everyone has died who wasn’t carrying a large bag of marshmallows.

Buddhist monk:
A kindly man in a saffron robe sitting under a nearby tree and telling you in a soothing tone, “Just wait”.

Franciscan monk:
A kindly man in a brown robe sitting under a nearby tree and telling you in a soothing tone, “God‘s will”.

Jesuit priest:
A kindly man in a snappy black suit sitting under a nearby tree and telling you in a not-so-soothing tone, ” Sucks, doesn’t it”.

Bishop:
A kindly man wearing a pointy hat sitting under a nearby tree and asking, “Would you like to buy some marshmallows?”

Satan:
A kindly man with pointy ears and a tan sitting under a nearby tree and asking, “Would you like to buy some marshmallows?”

Politician:
A friendly man wearing a blue and red suit sitting under a nearby tree and imploring, “Be afraid; be very afraid! May I have some of your marshmallows?”

Anthropologist:
A studious man looking at the wrapper of the Big Mac you had for lunch and wondering, “Does this mean he worshipped a god?”

Husband of premenopausal woman:
A clueless man living under a nearby rock exclaiming, “This is funny. Let’s roast marshmallows.”

Premenopausal woman:
A nervous woman sitting on the end of the weakest branch of a nearby tree screaming, “This is not funny! Wait–yes it is! God, it’s hot in here! This is not about marshmallows!”

Catholic nun:
A kindly woman sitting under a nearby tree and asking, “Do I really have to sit with these nits?”

Religion:
Praying for marshmallows to be bestowed upon you by the owner of a marshmallow factory and for a temporary reprieve from the chemistry of oxidation, while ignoring the ultimate effect on everyone in those rail cars.

Fate:
Watching the hooks on the balance scale slowly rust away.

Freedom:
Choosing to get off your ass to see what you can do for anyone in those rail cars who is still alive.

 

Sept. 2012

 

 

Athena Winced

If you’ve been around cattle, you already know what comes out the end opposite the nose. You also know that in politics, as in the barnyard, what goes around comes around.
Socrates, democracy’s supreme rabble-rousing patriot, could have escaped his legal predicament simply by leaving Athens.  History says he surrendered because of his sense of obligation to Athens’ judicial system, flawed as it was.  I think he was also so sickened by the decline of Athenian democracy that he couldn’t bare to watch its death from any distance.  For Socrates a cup of Hemlock was certainly sweeter than witnessing the birth of history’s first democratically elected totalitarian government.

     Whither

Our withers weather
the whether or nots
of knots of withering
hails of shot from
distempered hells we’ve
tempered and wrought
from our dithering withers
which darkness would blot–
but cannot.

Gavin W Sisk
Sept. 2012

 

Recess

I’d bind these shattered, scattered pieces with
ribbons from a maypole–or memories of maypoles,
which we never really had, which instead of we had

a deflated leather ball that no one really liked,
and swung from a chain, rebounding off our fists.
Our red fists: at the bell they had rebounded from

the old black chalkboard and Big Chief tablets,
from endless long divisions, which we deserted like
a mob of happy crows. That seems so long ago,

and so much simpler than this division of memories:
our promises sparked red, faith pulsing in each kiss,
all our knotted fears unwound beneath the moon’s caress;

unwound like ribbons loosed to end a maypole dance,
which we no longer dance because all we have left
are deflated leather souls and flailing, angry hands.

Big Chief tablets wait blank on ink-stained desks,
and the chalkboard asks what we don’t want told.
The bell is ringing, calling us in from recess.


August 2012 (revised Jan. 2013)

 

Busy Signals

A green traffic light means go.  A red traffic light means stop.  It’s the same here in Seattle as everywhere else–except in the turn-lanes.
In Seattle a green turn-arrow means put your coffee cup down, adjust your mirror, check what the car behind you is doing, check the GPS to make certain you should be turning at this intersection, check what the car in front of you is doing, note the price of gasoline at the station across the street, SQUIRREL!, put your lipstick or electric razor down (or both), note that the car in front of you has cleared the intersection and is half-way down the next block, signal your intention to execute a turn, put your car in gear, check what the dog at the hydrant is doing, note that the turn arrow has changed from green to amber to red, slowly depress the accelerator pedal and proceed carefully through the intersection while disregarding the honking horns and angry curses.  So it will go, whether you are the first or tenth car in line.
In the through lanes, on the other hand, you will smash the accelerator pedal to the floor the instant the light turns green, race through the intersection, and blow your horn and curse at all the slow drivers in the turn-lane.
In short, if you live in Seattle, you will exhibit both behaviors and you will think nothing of the difference.

 

Aug. 24, 2012

Cruis’n For A Bruis’n

MV Tillikum

MV Tillikum (Photo credit: Wikipedia)

If you’re in your little wooden cabin cruiser, threading your way through the shipping lanes of Puget Sound, and you suddenly hear five short, loud blasts from a ship’s horn, you should infer the possibility that every part of your boat, from stem to stern, is in imminent danger of being destructively dissected by the metal hull and propeller of a large ship whose path you are nonchalantly crossing.
In other words, you should wake the hell up!  If you do nothing to head off this destructive embrace of wood and steel–if you’ve deserted the helm to have a crap, mix a vodka tonic, or become a member of the seamen’s version of the mile-high club–you’ll be offered just one more series of five blasts from the metal monster before it has your life for lunch.

I was on the MV Tillikum‘s passenger deck when I heard five horn blasts from her wheel house.  I’ve heard this warning signal only a couple of times in all the years I’ve ridden car ferries around the Sound. None the less, I went back to fiddling with my camera and watching my daughter read a book.
Then I heard the same warning blasts from another ferry, followed by a second warning from the Tillikum, followed by yet another warning from the other ferry.  That got my attention.  I jumped up and dashed to the Tillikum’s forward observation deck just as she hit the brakes.  (A three-hundred foot ship doesn’t really have brakes, which is the reason it’s vitally important to heed warning signals from ships‘ horns.)
About a thousand feet ahead and a little to port was a medium size pleasure cruiser intent on crossing the Tillikum’s bow.  It had just crossed the bow of the other ferry, which was sailing from the opposite direction.  Both ferries came to a full stop as the small boat’s captain finally realized the pickle he was in and cut his engine.  Unfortunately, I didn’t have my telephoto lens, so I couldn’t tell whether or not the fellow had pants on.
After a long minute of everyone waiting for Godot, the Tillikum and the other ferry resumed their original courses, leaving the small boat’s captain to fend for himself in their intersecting wakes.
I wouldn’t be surprised if the guy put his boat up for sale as soon as he arrived back at the dock.  There is no bowel movement, cocktail, or sex worth the risk of having that experience twice.

July 19, 2012

Parts is Parts

I do a lot of work as a bio-medical photographer, which is a sub-specialty of my general work as an industrial photographer for a large university and medical center. One of my duties is to photograph body parts (as well as body ‘wholes’).
Photographing a body part is easiest when the part is uncovered. This ensures the photographs will be useful to the doctor who ordered the photography. The more parts of a body there are to photograph, the more the body needs to be uncovered.
The most practical way to photograph many different body parts on one body (with live bodies, anyway) is to have the parts’ owner remove all of his or her clothing. So, imagine me standing in a locked exam room while holding a camera that’s wired to bright photographic strobe lights, and while wearing substantially more clothing than the only other person in the room. I see things.
Here are some interesting facts and observations relating to photographing naked people for medical purposes:

1. They don’t pay me well enough. I earn a hell of a lot more when photographing mannequins for Nordstrom.
2. Male patients do not at all like being photographed by a male photographer–which makes me wonder if homophobia is a hardwired gender instinct.
3. Female patients usually don’t care who photographs their parts–or which parts are photographed–as long as the work is done right. Female patients shake my hand and thank me; male patients retreat quickly to their dressing room.
4. All–ALL–distinguishing details of a patient’s body mysteriously disappear from my memory thirty seconds after I take their last photo. Really! I’ve run into female patients in the clinic lobby ten minutes after I’ve escorted them back to their dressing room, and I have not recognized them, even after they have said hello. (This does beg the question, why do they say hello to me in the clinic lobby?)
5. When I process and print the photos back at my office, I almost never recognize any of the patients.

Weird, huh? But when I compare notes with other male medical photographers and radiographers–even the good looking single males–they all report the same experiences. Nobody remembers anything.
So, there you go. Men really do have something on their minds besides sex. At least, some of the time they do.

July 7, 2012